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We originally arranged for Peder to give this presentation on NAB 2020 at the Mixing Light Presentation Theater within the Flanders Scientific booth.

Team Mixing Light is very exciting to present our first-ever webinar! Learning The ACES Workflow In DaVinci Resolve: Presented By Peder Morgenthaler

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For Premium Members, the download for this revised Insight is appended as ‘v2’. Updated: – At ~17:30 in the video we updated two slides to correctly state that LogC and Slog are scene-referred recording formats.

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Thanks for reading/watching! We will see you soon with another killer DaVinci Resolve tutorial.Tutorials / Mixing Light Webinars / ACES And DaVinci Resolve 101 Webinar – Understanding The Workflow Series

Free Rawfilm stock footage shot on RED cinema cameras.

Download the free version of DaVinci Resolve 16.

You can always go back and edit this after the initial sweep is finished.Įdit away however you like once tracking is complete. However, using pan + tilt in combination is a good idea when you need to use pan.Ĭlick the necessary tracking tool to create a shape outline of what you want to track. For example, if nothing is zooming in or out in your video, you don’t need it. Remember, never select more tracking options than you need. Without contrast, DaVinci Resolve will not be able to recognize what you want to track. The key to tracking is having a good level of contrast (and saturation) in the video colors. When done correctly, it looks smooth and stabilized. It brings your footage to life and adds dynamic motion. Tracking holds the camera’s focus on a subject within your video to bring more attention to it.

Complex color editing within tracking – 12:43.

What happens with inaccurate selection – 9:10.

Skip to 4:25 of the video to see the more advanced tutorial. This is a basic example of how tracking works in DaVinci Resolve. This will not affect your tracking.įrom here, you can add more contrast, color, or whatever you want. Extend the basic outline you created to catch any pieces of footage that did not make it into the initial sweep. This will show you which parts of your footage were not captured by the tracking outline shape. Once tracking is finished, you can go to the tracking analytics (tracking window with various colored lines) and click anywhere to pull up a specific part of the video. Depending on your computer, the larger the area you are tracking, the longer it will take to process. Use the pan tool to create a basic shape outline of the hill, and then begin tracking backward.

By default, pan and tilt should go together since they are complementary movements. For this mountain footage, all that is required is pan. It takes longer to calculate, and you are left with sub-par results. However, when you choose each option but do not have every form of movement going on in the film, you confuse the program. Most of the time when editing for tracking in DaVinci Resolve, people will select pan, tilt, zoom, rotate, and perspective- every option- in hopes of producing better results. Simply increase both the contrast and saturation, and you’ll be good to go.įor the purpose of this tutorial, let’s say the hill in the foreground is what you want to track.

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No matter what you are tracking or whether you use pointer or planar tracking, the video needs enough contrast in order for the software to recognize which objects/people/etc. The footage used is a beautiful panning shot of a mountain landscape.įirst and foremost, make sure your footage has enough contrast.

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In this tutorial, AramK shows you how to track within DaVinci Resolve to get the best possible result. In collaboration with Youtuber AramK, we bring you a series of Davinci Resolve 16 tutorials to help you get your video project off the ground.